Author(s): Mukesh Kumar Rathia, Arun Kumar

Email(s): mukeshrathia25@gmail.com , arunsabhlok1953@gmail.com

DOI: 10.52711/2321-581X.2024.00009   

Address: Mukesh Kumar Rathia1, Arun Kumar2
1Technical Assistant, School of Studies in Anthropology, Pt. Ravishankar shukla University, Raipur CG.
2Professor (Retd.), School of Studies in Anthropology, Pt. Ravishankar shukla University, Raipur CG.
*Corresponding Author

Published In:   Volume - 15,      Issue - 2,     Year - 2024


ABSTRACT:
5000 painted Rock Shelters with 700 of them concentrated at Bhimbetka is the 3rd largest distribution in world, next to Africa and Australia. It is widely spread in Jammu and Kashmir., Rajasthan, Gujarat, Maharashtra, U.P., M.P., Chhattisgarh, Tamil Nadu, Kerala, Karnataka and so on. In absence of script, it is a significant source of information about various components of past life ways namely, Material culture, Structures, Economic activities, Man-Animal relationship etc. Underlying purpose of rock art, its exact functions and location of motifs in hidden and dark places is not accurately understood, yet. The present communication aims to throw light on social – cultural aspects of ancient Rock art through ethno archaeological investigations of present-day art of main tribal communities living in the vicinity of Raigarh rock art sites.


Keywords:

Cite this article:
Mukesh Kumar Rathia, Arun Kumar. Social- cultural Significance of Similar Motifs of The Raigarh District, Chhattisgarh: Wooden Art Vs Ancient Rock Art. Research Journal of Engineering and Technology. 2024; 15(2):59-4. doi: 10.52711/2321-581X.2024.00009

Cite(Electronic):
Mukesh Kumar Rathia, Arun Kumar. Social- cultural Significance of Similar Motifs of The Raigarh District, Chhattisgarh: Wooden Art Vs Ancient Rock Art. Research Journal of Engineering and Technology. 2024; 15(2):59-4. doi: 10.52711/2321-581X.2024.00009   Available on: https://ijersonline.org/AbstractView.aspx?PID=2024-15-2-3


REFERENCES:
1.    Anderson, C. W. (1918). Rock paintings in Singanpur. Journal of Bihar and Orissa Research Society, 4(2),298-306.
2.    Badam, G., S.K.Bajpai and K. K. Chakravarty, 2009, Madhya Bharat ki Shail-Chitrakala, B.R. Publishing Corporation, 425, Nimri Colony, Ashok Vihar Phase-IV, Delhi-110052.
3.    Chakravarty, K.K. (Ed.) (1984). Rock Art of India. New Delhi: Arnold Heinemann.
4.    Gordon, D.H.(1939). Rock Paintings of Kabrapahar, Raigarh State. Science and Culture, 5.
5.    Gordon, D.H., Prehistoric Background of Indian Culture, M. D. Desai and Bhulabhai Memorial Institute, Bombay, pp. 100-106.p. 109.
6.    Gupta, J.(1965).Pre-historic Art of India, Allahabad.
7.    Gupta, J.,1967, Bhartiya Pragaitihasik Chitrakala, National Publishing House, Jawahar Nagar, Delhi-71.
8.    Gupta, J. P. (1967). Pragaitihasik Bharateeya Chitrakala. Delhi, National Publishing House.
9.    Lal, B.B., Archaeology in India, p. 50.
10.    Misra, V. N., Mathpal, Y. and Nagar, M.(1977).Bhimbetka: Prehistoric Man and his Art in Central India. Pune: Deccan College.
11.    Wakankar, V.S. (1965). Painted Rockshelters in India. IPEK 21,78-83.

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